I built the foundational structure of this piece using Processing code, designing an algorithm that generates a smooth, flowing gradient effect then brought the composition into Photoshop to layer a gentle, weathered texture over the digital lines. The striking indigo and beige palette was directly inspired by the cover. By inverting the traditional color relationships, I wanted to create a modern, high-contrast take on a timeless layout, turning the negative space into a focal point of its own.
