Category: Creative Coding
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p5.paper

P5.PAPER The Only Good Kind of Paperwork: Introducing p5.paper I’ve been using p5.brush for some of my abstract pieces. It has been a massive source of inspiration for me. For years, I’ve used it to bring my digital strokes to life with stunning watercolor, charcoal, and marker simulations. But as I kept creating, I realized Read more
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Without You, I am Broken

The composition of this was inspired by the classic web design layout that you see in the late 90s and early 2000s where the header is at the top and the left panel is sidebar. I wanted to pay tribute to the layout that was prominent for decades. Read more
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Paradise

Created entirely with code, this piece explores the mesmerizing rhythm of circular geometry. The composition features delicate, textured rings that gather like ripples on a dark pond, drawing direct inspiration from the minimalist layouts of the Hamonshu. By scattering these organic clusters across a deep and velvety purple background, the artwork looks almost handmade. Read more
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Rupture

With this piece, I utilized a deep, dark purple palette, programming a subtle gradient effect that radiates outward through the petals. The concept behind the composition is a romanticized rose that doubles as a bleeding artery, exploring the delicate line between beauty and vitality. Read more
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Sacred

I have always been captivated by the lotus, so I wanted to pay tribute to its enduring nature. The watercolor effects and weathered textures were all applied by hand in a photo editor. Without this careful post processing, the digital piece felt cold and rigid. Adding those tiny details brought it to life, giving the Read more
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Flower Study #3

These camellia flowers are a study in delicate complexity. There is something so peaceful about the geometry of a camellia, and being able to capture that organic symmetry through code feels like a dream come true. Watching these intricate layers unfold from a complex script reminds me why I fell in love with generative art Read more
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Blooming

With Blooming, I started experimenting with a new palette. I chose crimson because using a shade of red was unusual for me. The 50/50 split composition suggests a sense of Yin and Yang, while the floral dot pattern was a happy accident in the code. A small bug created this beautiful burst pattern that I Read more
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Flower Study #1

When I first started creating generative art, the first thing I wanted to learn was creating 3D polygons so I started a flower series that allowed me to explore the intricate and delicate shape of petals. Read more
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Flourish

This piece was made to emulate a comic book cover and it centers around the flower theme. It was done entirely in code, but it was glued together in a photo editor. I played with the top right panel until it started to look like a sunrise/sunset. Everything felt balanced once I added the cherry Read more
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Haven

Haven is a tribute to the traditional wave designs found in the Hamonshu, rendered in a striking crimson. The most challenging aspect of this series is finding a true sense of balance. Because the exact position of every ripple is hardcoded, the layout demanded countless iterations before the perfect composition finally emerged. Read more
